Farewell 2025

In December, I like to take some time to look back over the year and reflect. Normally, this feels peaceful and inspiring. This year, not so much. It feels like searching through shit, hoping to find a bit of elusive gold to make the process worthwhile.

I wish the news weren’t so bleak. I find myself longing for a pre-fascist world, one where common sense, intelligence, kindness, and decency are valued again. Where generative AI is a pipe dream, not the digital asbestos we have now that infects everything and costs a fortune and makes cheating easy and weakens our human connection to art and creativity.

But there are good things, too. My kids coming home from university to spend a couple weeks under the same roof as Jason and I again, after spending this entire fall grieving for the end of the beautiful stage that was raising our family. William has a new girlfriend, so we’ve been getting to know her, and experiencing that unique phenomenon where your heart can stretch to include someone who wasn’t there before.

For 2025, I decided to not publish anything. I made it a year to focus on a new writing project, my murder mystery novel A Body at the Fair, which I hoped to finish by December. I haven’t finished, but it’s okay. One of the best things about being an independent publisher is that I can be flexible with my scheduling. I don’t have an agent asking when I’ll be turning in my book, or an imprint setting a date and holding me to that deadline.

When I watched the limited series Task this fall and did a rewatch of Mare of Easttown, by the same creator, I remembered that good work takes time. Our culture has become obsessed with speed and commerce—the endless rush to market so someone can make money. But I’d prefer to invest in work that will outlive me, that has a chance to stand the test of time, and offer hope or inspiration or meaning to others for generations to come. That type of vision takes time and intention, so I’m offering those gifts to myself.

My overall word for 2025 was space. I think I worked hard at this, trying to make space for myself in my relationships, and in the wider world. I offered myself space to simply be human, instead of rushing around trying to check items off my to-do list. I also worked at giving space to others, especially my young-adult kids. My counsellor helped me see that if days go by and I don’t hear from them, it’s not punitive like it was in my family of origin. It’s just a bit of healthy space. If and when we miss one another or need one another, we’ll reach out. This bit of important insight has literally changed my life.

My 3 words for 2025 were deeper, simpler, quieter. I wanted to slow down and catch my breath. Looking back, I can see I did exactly that. I wrote the first half of my murder mystery novel, writing using intuition like with Post Civ instead of outlining and planning, and I’m thrilled with how that book is developing. I got derailed from finishing, when America tilted precariously into white Christian nationalist authoritarian rule and I decided to process my feelings on this by writing a journal as a historical record, but I will return to it in 2026 and eventually finish the book.

I loved having my monthly Ruby Finch Books Substack newsletter and podcast to reflect on each of the words I had chosen. At different points of the year, it’s helpful to have a unique focus to live into. I plan to continue my commitment to living a uniquely human life that prioritizes depth, simplicity, and quiet. These are valuable qualities.

The farther I move away from social media, and the aggressive disinformation campaigns forced on us through open AI, designed to fracture society and spread intentional propaganda, the more human I can become. And I fucking love being human in this misguided and inevitably doomed age of artificial intelligence. What an act of resistance it is to simply lean into my messy flesh and blood existence.

I’m sad that I didn’t finish my screenplay for Jamesy Harper’s Big Break this year, nor did I set up Ruby Finch Pictures as a production company. But there’s time. I’m giving myself space, and an extra measure of compassion, and moving these goals into the next year or even 2027. There’s no shortage of interesting work to do, and I keep reminding myself that a dream I’ve had since I was sixteen can wait another year or more. Living now, through these moments, matters too.

Farewell, 2025. You’ve been a hard one. Maybe 2026 will offer a little more light and hope for my fellow human beings, as we continue to share this one and only precious planet of ours. May love, nurture, and reason become fashionable again next year. Let’s work together to make it so.

A Dormant Season

In my workshops at teachers’ conferences, libraries and for writers, I often speak about building in a dormant season for creativity and rest. A period of time where we are intentional about doing nothing, so we can replenish our spent energies and allow our creative impulses to regenerate.

This sounds wonderful in theory, but I realised recently how difficult I find a dormant season in practice. When I’m writing a new manuscript, I try to maintain a steady rhythm, where I work for a little bit each day so I don’t get too far away from the characters and the story. But sometimes dormancy is forced upon us, due to vacations or the needs of others or health concerns or simply life being life, and interrupting us from our best-laid plans.

This happened to me in August. And I struggled against it. I find it frustrating that even when I’m teaching about certain skills and strategies, like taking a dormant season, I can still be ridiculously slow to recognise it in my own existence. We had a couple of trips planned, and then an unplanned trip to the island late in the month to help our kids move into their first basement suite off campus for the upcoming university year, and by early September I recognised how far away I felt from the novel I was writing.

I wish I could say that I was calm about this. But I wasn’t. I got pissed off, at myself for not progressing on my book when I had planned to write all summer, and then irritated by my family members who kept me from writing. I didn’t enjoy how this resentment made me feel, but I stewed in it for more than a week before suddenly remembering what I tell others: for a dormant season to be effective, we have to surrender to it. To enjoy our lives without feeling guilty that we aren’t working on a creative project.

I had completely missed this part of the process. So I reached for my journal, and reflected on this season of dormancy I’d been in, and why I felt myself longing to get back into the writing of my murder mystery novel. I remembered my Ruby Finch Books tagline: Intuitive Courage. Somewhere along the line, I had once again lost myself and my sense of identity and purpose. I’d been at the mercy of circumstances and other people and life itself without recognising or claiming my own agency.

It felt so good to realise that I can always choose my response. I could be angry about not writing, or I could acknowledge that I had been in a period of creative dormancy, which meant that a new burst of creative energy could bloom in me if I allowed it to. In the four seasons of nature, winter is the dormant season. It’s followed by spring, the explosion of growth and vitality, but we only get the beauty of spring because the trees have been dormant in the winter.

I truly believe that the same seasons are necessary in our own lives. And sure enough, once I stopped having a temper tantrum about my writing rhythms and progress being disrupted for a month, I began to feel the slow, gathering momentum of fresh insight for my book. I would lay in bed at night, ready to drop off to sleep, and my intuition would connect one storyline with another in a way I hadn’t considered before. I would realise something in one of my character’s backstories that informed their current choices and motivations.

Writers live for those moments of insight. I suppose I’ll never know if I would’ve had them anyway, if I’d been writing during August and into early September, but they came to me so insistently and yet gently when I wasn’t writing, so I have to hope the brief dormant season made a difference. Now I’m back into the story, writing nearly every day, and the work has a fresh energy behind it.

I’m working with a new counsellor this month, and one of our goals is to help me identify these patterns in my life faster. I don’t like to feel lost and annoyed for weeks on end when I could simply choose a better response. Believing that a dormant season will help my creativity flourish is a healthier choice to make than stewing in frustration about being unproductive.

What are some ways you’ve seen a dormant season lead to fresh insights and replenished energy in your life?