A Dormant Season

In my workshops at teachers’ conferences, libraries and for writers, I often speak about building in a dormant season for creativity and rest. A period of time where we are intentional about doing nothing, so we can replenish our spent energies and allow our creative impulses to regenerate.

This sounds wonderful in theory, but I realised recently how difficult I find a dormant season in practice. When I’m writing a new manuscript, I try to maintain a steady rhythm, where I work for a little bit each day so I don’t get too far away from the characters and the story. But sometimes dormancy is forced upon us, due to vacations or the needs of others or health concerns or simply life being life, and interrupting us from our best-laid plans.

This happened to me in August. And I struggled against it. I find it frustrating that even when I’m teaching about certain skills and strategies, like taking a dormant season, I can still be ridiculously slow to recognise it in my own existence. We had a couple of trips planned, and then an unplanned trip to the island late in the month to help our kids move into their first basement suite off campus for the upcoming university year, and by early September I recognised how far away I felt from the novel I was writing.

I wish I could say that I was calm about this. But I wasn’t. I got pissed off, at myself for not progressing on my book when I had planned to write all summer, and then irritated by my family members who kept me from writing. I didn’t enjoy how this resentment made me feel, but I stewed in it for more than a week before suddenly remembering what I tell others: for a dormant season to be effective, we have to surrender to it. To enjoy our lives without feeling guilty that we aren’t working on a creative project.

I had completely missed this part of the process. So I reached for my journal, and reflected on this season of dormancy I’d been in, and why I felt myself longing to get back into the writing of my murder mystery novel. I remembered my Ruby Finch Books tagline: Intuitive Courage. Somewhere along the line, I had once again lost myself and my sense of identity and purpose. I’d been at the mercy of circumstances and other people and life itself without recognising or claiming my own agency.

It felt so good to realise that I can always choose my response. I could be angry about not writing, or I could acknowledge that I had been in a period of creative dormancy, which meant that a new burst of creative energy could bloom in me if I allowed it to. In the four seasons of nature, winter is the dormant season. It’s followed by spring, the explosion of growth and vitality, but we only get the beauty of spring because the trees have been dormant in the winter.

I truly believe that the same seasons are necessary in our own lives. And sure enough, once I stopped having a temper tantrum about my writing rhythms and progress being disrupted for a month, I began to feel the slow, gathering momentum of fresh insight for my book. I would lay in bed at night, ready to drop off to sleep, and my intuition would connect one storyline with another in a way I hadn’t considered before. I would realise something in one of my character’s backstories that informed their current choices and motivations.

Writers live for those moments of insight. I suppose I’ll never know if I would’ve had them anyway, if I’d been writing during August and into early September, but they came to me so insistently and yet gently when I wasn’t writing, so I have to hope the brief dormant season made a difference. Now I’m back into the story, writing nearly every day, and the work has a fresh energy behind it.

I’m working with a new counsellor this month, and one of our goals is to help me identify these patterns in my life faster. I don’t like to feel lost and annoyed for weeks on end when I could simply choose a better response. Believing that a dormant season will help my creativity flourish is a healthier choice to make than stewing in frustration about being unproductive.

What are some ways you’ve seen a dormant season lead to fresh insights and replenished energy in your life?

Trying and Failing

I released Post Civ into the world this month. I’m incredibly proud of this novel, as it’s the book of my heart, the one I longed to write but would’ve been too afraid to attempt before this point in my life.

It’s the second book I indie-published under my new company imprint Ruby Finch Books. I took everything I learned from publishing my YA novel, Jamesy Harper’s Big Break, and applied it to Post Civ, which made the whole process seem easier and smoother the second time around.

Except for the launch events. With Jamesy Harper, I created a discussion around identity and the big dreams many of us have for our lives when we are young, as these themes are in the novel. I had a presentation ready, and I felt both nervous and excited to try it at libraries and schools.

But no one came. My writing and wellness classes at libraries were well attended, but I had no one show up for any of the discussion events for the book. I wasn’t exactly sure why these hour-long discussions didn’t draw any readers, but after the launch events last fall I put it out of my mind and started to focus on the long process of publishing Post Civ.

When I began planning for Post Civ’s launch, I remembered that no one came to the Jamesy discussions. I even looked back at my end of the year review that I did for Ruby Finch Books, where I wrote, “I tried to build a discussion event for Jamesy Harper, to appeal to readers who might not be interested in attending my writing classes, but it didn’t seem to work for some reason.”

My intuition was telling me that I should focus on what was working well and choose not to pursue more reader events. But I ignored this for Post Civ, thinking that the themes of climate and equity in this adult novel might draw more people who would be interested in discussing these topics together.

So I created a no-tech discussion, to mimic the way the characters in the post-apocalyptic book sit around the campfire and talk together. I told libraries about the discussion and booked a few of them.

You might be able to guess where this is going. No one came (except my lovely friend and editor which was kind of her, and we had a catch-up visit during the hour allotted for the Post Civ discussion).

I wasn’t particularly bothered by how these discussions failed. Most authors, at one point or another in their career, struggle to draw a crowd. I’ve never been interested in book readings or signings, which is why I thought I’d try something more inclusive, where the themes in the book are only a springboard for discussion about key issues that might interest a lot of people.

I try not to take this personally. In life, we try a lot of different things, and many of those things will fail. What bothers me is that I didn’t listen to my own intuition. But I’m working on speaking more gently to myself, as part of offering nurture and care to me instead of just to other people. The key is to hold loosely and not to expect too much, of myself or of others.

I have a few more of these events scheduled in November. Maybe they will work, and maybe they won’t. I figure I’ll show up, and whatever happens was meant to happen. I’ll listen closer to my intuition when I’m planning for future books and releases and events. Things will continue to change. And trying and failing is all part of succeeding.

Recalibrating Identity

I just returned from a trip to Kelowna, BC where I was speaking at a teachers’ conference. In previous years, Jason has come with me on this work trip, but this year I decided to go alone. I listened to music, and some episodes of the Smartless podcast, but realised partway through the 5 hour drive that being alone in the car helped me to recalibrate a sense of my own personal identity.

As women, and mothers, so often our identity becomes intertwined with the identities of those we love and nurture. It can become challenging to separate out our individual needs and desires, because we exist in a context of our other relationships (and identities).

While driving to Kelowna, I found myself weeping for no apparent reason. I decided to let the storm of feeling pass through me, so I cried on and off while I drove. This continued even after I checked into my hotel room and ordered myself dinner.

As the evening progressed, I started to realise what was causing this storm of tears. I pulled out my journal and began to write. I worked through some things that had been building up during the summer. Questions about this new stage of life we’re about to enter as parents and as a family when William leaves for university in January.

I’m certain these feelings would’ve made themselves known whether I was at home or in Kelowna, but there’s something powerful about prioritising our own solitude from time to time. Over the two nights I was away, by myself, I could feel my identity recalibrating back into something I could recognise as my own.

Earlier this summer, we did a family driving trip down the coast to Los Angeles, one of my favourite places on planet earth. We had days of sun and soft sand and salty ocean air and palm trees and In-N-Out milkshakes. It was glorious. But it was a family trip, which meant all of our decisions were made together, with everyone’s needs and interests considered.

In the middle of August, I had a work trip to Alberta to speak at a writers’ conference and teach classes at a number of different libraries. For that trip, it was just Jason and I, which meant I left my Mom identity behind but remained in my Marriage identity. We had a wonderful trip, and I’m glad we went together, but I needed the alone time in Kelowna to understand the difference between solo trips and together trips.

When we give a lot of ourselves to others, it’s important to take time out for ourselves. I’ve been teaching this over the last six months in the form of nurture classes for writers and Nurture Starts with You sessions for teachers. But sometimes I fail to give it enough attention for myself.

It felt strange to say to Jason that I wanted to go to Kelowna on my own this time. He had loads of work to do and was happy to stay at home to look after Ted since William happened to be visiting his sister and some friends on the island when I was gone. But during my trip I realised how much it mattered that I listened to my own intuition. I gave myself time to feel things and a little bit of space and distance to better understand some relationship dynamics that were challenging to see up close.

This solo trip restored me to myself. It gave me time to reflect, and to cry, and to plan for the coming months. It helped me recalibrate my own sense of who I am.

How about you? As we say goodbye to summer and approach the brand new fall season, what steps could you take to recalibrate your own identity?

The Flashlight of Criticism

The Flashlight of Criticism

When we face criticism, we can spiral down in a funnel of shame, feeling less-than and outed for pretending to be better than we really are.

Or maybe that’s just me, because possibly my childhood was not as stellar as yours.

I know it’s unhealthy to attach my self-worth to my performance. These things are my products: writing, speaking, acting, grades; my identity is something different. This distinction is oh-so-clear in my head and not so obvious in my experience.

Everything in the arts is subjective. One person loves what you’ve written or taught, and the next person thinks it’s boring and useless. As a writer, I’ve volunteered to be criticized to try to make my work stronger and more effective. In a cold, clinical setting, I do understand this.

But in my heart it’s something different. Being told what is “wrong” with my manuscript is painful in some intricate way. It reminds me of how far I have yet to go to make my dreams into reality. I do realize that all writers face this. I’ve been through classes and writers’ groups before, processing negative feedback, but I still hurt at first.

Maybe it’s time to just allow this. To feel it, and not to attempt to rationalize it away or explain it. Some feedback wounds because we have more internal healing work to do. The criticism is a flashlight revealing our hidden chasms where shame and fear lurk in the darkness.

The key might be to reach out to the cheerleaders in our lives when we get knocked down. To ask for love and support so we can summon the energy to keep going, to continue believing that we are onto something as long as we don’t quit. Rough work is better than no work when it comes to creativity. Revisions exist to fix the little things.

I’m loving the process of working on this new YA novel. I don’t want to forget that. It’s fun to write, even if it’s not everyone’s cup of tea. It’s the book I longed to find on the shelf when I was 15 years old and that kind of passion is worth pursuing.

Often a pain that doesn’t fit with the circumstances is an indication that an old wound is being disturbed. That’s what I felt last week through a workshop round of mild criticism: a very old childhood fear that I am simply not good enough to compete in the arena I want to work in. The only way to combat this is to keep going anyway. To feel it, acknowledge it, cry a few tears, and then get back to work.

The Last Jedi

The Last Jedi

I’ve taken 2017 off from writing movie reviews, but The Last Jedi was such an emotional experience that I find myself longing to write about it.

Don’t worry if you haven’t seen it (although you really should go now!) as I don’t do plot spoilers. Don’t listen to the crabby haters online who are moaning about how Episode VIII should be wiped from the Star Wars canon (thank you, internet criticism, for creating a group of angry “fans” who demand a creative product meet their specific demands like it’s SO simple and easy to make a successful blockbuster franchise movie). Go see it for yourself and decide.

The Last Jedi is truly a stunning achievement. It’s packed with all of the action true fans long for, plus a host of witty, silly quips and special moments that linger in your mind long after the final credits roll. But more than that, this instalment gives us even more women as leaders worthy of respect (hooray!) and some deep explorations of complicated and important subjects.

This movie does not shy away from topics like the devastating effects of our rabid fame culture, honest questions about identity and belonging, the punishing personal cost of war, corporate greed ravishing the environment and the ever-widening soul-crushing gap between the wealthy and the poor. I love it when I can sink my teeth into these relevant issues and engage my kids in a lengthy morality debate on the way home from the cinema.

Our world is a broken place. The Last Jedi mirrors much of this sorrow in a relatable yet still entertaining fashion. Luke Skywalker, always my favourite from the original trilogy, is back here but damaged, older and considerably more fearful than we’ve seen him before.

Rey, a hero I adored in The Force Awakens, found Skywalker at the end of Episode VII and is desperate to learn what she can from him. But Master Luke is an unwilling teacher, pushing Rey toward Ben Solo, the tortured son of Han and Leia who has turned to the dark side. This connection between “good” and “evil” moved me deeply, particularly the image of Rey trying to answer the nagging question of who she really is and where she comes from.

Each one of us has the power to write our own story. If we don’t like our past, we possess the ability to change our present so that our future becomes something different. Nothing special is required for this. Only bravery. That’s the central message of The Last Jedi, and it’s one we need desperately at this precarious moment of human history.

Go see this movie. Return to a time when you went to see a cinematic story unfold without a thousand other voices in your head telling you what’s wrong with it. Simply go and be entertained. For me, The Last Jedi is powerful, hopeful, beautiful, stirring, emotional, satisfying. We need peace, purpose and courage to light our path, now more than ever.

May the force be with us, always.